On the plane, en route to Heathrow, too hyped to sleep. I’ve already realized I left behind my camera, battery, and charger — let’s hope they can be mailed to me.
We’re somewhere over the North Atlantic. There’s nothing to be seen but the wing outside the window, a few indistinct clouds and stars, and the faint, coppery spatter of city lights receding quickly behind us. It’s about halfway through the flight.
I stayed out all last night with Genna at Nuit Blanche. It’s bigger this year, more corporate, more coordinated. In a way, last year’s was more fun — we didn’t know what to expect, we’d never seen the city transformed like that before. But I quite enjoyed this year too, and found a few favourites.
Our first must-see was the Secular Confession Booth in Yorkville, a simple stall with a canvas divider where you could pour out your heart to the artist on the other side. I got a few things off my chest and felt quite purified. The other main Yorkville attraction was the installation in Lower Bay, but the lineup was far too intimidating! There’s something about a secret abandoned subway station that has mass appeal.
Two installations at the Eaton Centre also stood out. In the foyer outside Sears, people twisted and linked long balloons to create a giant, amorphous balloon pile. You could line up for a few minutes to play inside it, creating chambers and tunnels and skylights. From the outside the effect was that of a rainbow-coloured quivering amoeba, strangely fascinating to watch.
The other exhibit was at the Yonge and Dundas entrance. Astroturf, Christmas trees and a big ceiling-mounted LCD screen created the appearance of a forest meadow under a blue sky. At a long table strewn with printer paper, brushes and inkpots, attendees painted designs and pictures and then laid them out to dry in the grass. As the artist in charge scanned each picture in, it appeared in white fluffy cloud form, drifting across the screen/sky. People lay back on the grass to watch the clouds go by.
Over in Trinity-Bellwoods, one artist presented an exquisitely molded chocolate deer, which she then carved up on a table, Thanksgiving-style, and rationed out to passersby. It was good chocolate, too.
Of course, this was Nuit Blanche, so there were also lots of light-based installations: strings and blankets of stars, an illuminated swing in a playground gussied up with space-age furniture, a glowing white Buckyball-esque dome, streetlamps’ bulbs replaced with flickering reddish flame — lots of little touches that established the evening’s Halloween-in-September feel.
Quote of the night: We stopped in at Isabel Bader Theatre where they were looping a short, weird little clip of a deer and a wolf confined in a small white room. The wolf paces around, lolls on the floor, yawns, and watches the deer. The deer is very nervous. When the clip started looping again we left the theatre, and as we passed by we heard one man ask plaintively, “Where’s the carnage?”
Perhaps because the weather was very nice this time, Genna and I didn’t have trouble staying awake and on our feet all night. We spent the last hour watching short films outside OCAD, leaning back in comfy rocking seats, while the pot smoke from the guys two seats over washed over us.
I got back and showered and put on fresh clothes and crashed, and then packed and went to Word on the Street (to say good-bye to Becca) and then left. And now here I am, an uncomfortable mix of groggy and excited, rubbing my cramped knees and trying to sleep. I can see Orion outside my window. It’s beautiful.